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 Louis Rose Society Newsletter No. 28
April 26, 2007
 
LRS Newsletter file
 


Louis Rose Society
for the preservation of Jewish history

 
Newsletter No. 28


San Diego, Thursday, April 26, 2007
 


In this issue:
International & National
*Haifa University study indicates soldiers leave Israel Defense Forces more dovish
*Was the western media duped in its 2nd Lebanon War coverage?
*Jews in the News-Links to stories in metropolitan publications about Jews

Standing Features
*Jewish Community Calendar
*San Diego Jewish Directory

Arts and Entertainment
*Songs of Leiber and Stoller delight in Welk Theatre's Smokey Joe's Cafe
*San Diego Rep tells schedule of Lipinsky SD Jewish Arts Festival
*Israel Contemporary String Quartet scheduled by Jewish Music Festival

*Rhythms of Senegal, Jamaica to add spice to Dor Hadash gala
Advertisers
*Gert Thaler Tribute Dinner
 
 

 

 

 


 

 

 

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Haifa University study indicates soldiers
leave Israel Defense Forces more dovish

HAIFA, Israel (Publicity Release)—
Over the course of their military
service, combat soldiers become less right wing, adopt more dovish
political views and are more open to compromise on security issues – according to research completed in the School for Political Science at
the University of Haifa by IDF Reserve Colonel Dr. Zvika Barkai who served as Commander of the Haifa region and head of the Operations Branch of the Home Front Command.  

Additional parameters that affect change in political views include the specific unit served in, gender and service as an officer."In the opposite
of what would be expected, military service does not cause adopting militaristic views," Dr Barkai said.  

The research was conducted over three and a half years, under the
direction of Prof. Avraham Brichta, Dr. Daphna Canetti-Nisim and
Dr. Ami Pedahzur, surveyed 490 male and female soldiers of every
rank and in every branch of the IDF. Soldiers were asked to respond
to the same series of questions at three different times, before induction,
six months into their service and immediately following their release.

The goal of the research was to evaluate whether the army is in
actuality the politically neutral institution that it purports to be and
whether it has any effect on soldiers' political views. "It's a problem
when the public is convinced that soldiers are coerced into adapting
specific political views, sometimes against their will, and to act
accordingly. Such a public belief could limit the ability of the
government to use the army for nationalist missions," remarked
Dr. Barkai.

The research did indeed find that soldiers' political views change
over the course of their service, and that the type of service, length of service, rank, and gender influence the change. The initial interviews
found that a large percentage of the soldiers began their service with
clear right-wing views. Six months into their military service they were more right wing, but after completing their service they took on more dovish views and were more willing to compromise on security issues.
In addition, these soldiers adopted more conciliatory views towards minorities in general, and more specifically towards the Arab minority,
and experienced a greater change in their views about human rights
than soldiers who began their service with less extreme views. Overall, when political views did change during military service, they reverted
back to the original views after release, with the exception of combat soldiers who maintained more dovish views following their release.

Within the different types of army units, soldiers who served in field
units underwent the greatest change in their political views. The research reveals that no only combat soldiers in these units undergo a change; all
of the soldiers in field units undergo a change in their political views.
Those with hawkish views adopted more moderate views and a raised consciousness for minority rights.

Those who served as officers also underwent a substantial change in
their political views. Officers adopted much less right wing and more pragmatic views than enlisted soldiers. In addition, they underwent a
greater change in espousing strongly democratic values, adherence to
the rule of law and minority rights.

Women, on the other hand, underwent a change in political views – |
and became more rightwing and hawkish. At the same time, they
increased their support for regulation of non-conventional weapons
more than male soldiers did. Women soldiers experienced a greater
change in their support of democratic values while men underwent
a greater change in the attitude towards human rights and minority
relations.

"It is important | to note that although men underwent a greater change,
their values were almost identical to women's in terms of concern for human rights at the end of their service, as they began with more extreme views," explains Dr. Barkai.

While army service did not affect the level of religious observance
among the soldiers, it did improve understandings between religious
and non-religious soldiers and increase willingness to compromise on religious issues.

According to Dr. Barkai, the research findings demonstrate that
military service does influence political views; therefore civilian
authorities need to oversee the values and messages that the army
espouses to ascertain that the military works to assimilate only
universal, accepted values. Only then will the military be an effective
agent for the integration and assimilation of positive values and an
agent for bridging and narrowing existing conflicts.

The study results lead the researcher to recommend that minorities
and marginalized populations be encouraged to serve in the military.
He recommends a large-scale draft of Arabs, increased participation
of Druze and Bedouins, ultra-orthodox Jews and religious women and designing special programs for marginalized youth (who are often
excused from military service). "Even taking into account that expanding
the draft to include the abovementioned groups may have a marginal or even negative effect on the country's security, the latent national gains should be weighed against the security issues – not necessarily by the military," summarized Dr. Barkai.

The foregoing article was supplied by Haifa University.
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Was the western media duped in

its 2nd Lebanon War coverage?


By Bruce Kesler


SOLANA BEACH, Ca.—When a closed, media-restricting society like Lebanon's under Hezbollah fights a war against an open society like Israel's, which one is likely to get better play in the media?  The answer may
surprise you.


Blog reports about Marvin Kalb’s Harvard Shorenstein Center on the Press, Politics and Public Policy study, The Israel-Hezbollah War of 2006: The Media as a Weapon in Asymmetrical Conflict, (40-page PDF) are quoting heavily from the report on the study at World Politics Watch, How the Media Partnered With Hezbollah: Harvard's Cautionary Report.

The World Politics Watch summary is accurate, and telling, of the biased impact of coverage provided by the Western and Arab media.

However, the World Politics Watch concluding paragraphs are stronger
than Kalb’s study. World Politics Watch calls for vigilance and responsibility by Western reporters, and even mores o by their editors
and the talking heads at home, not to be taken in, not to permit themselves to be part of propaganda exercises by our enemies, and to more clearly
label any such reports as such and say what’s missing.

In the actual study, Kalb’s conclusions bemoan the suspicions of MSM coverage roused by bloggers who exposed fake reporting and
photography. All that Kalb, weakly, says about the ethical and
professional irresponsibility of the major media is, “The challenge
for responsible journalists covering asymmetrical warfare, especially
in this age of the Internet, is new, awesome and frightening.”

Kalb doesn't mention that there is only one allowable prescription for
the major media, to stick by professional standards rather than
sensationalist irresponsibility. It also wouldn’t hurt if the MSM
displayed some ethical standards, recognizing the difference between
right and wrong, between friend and foe.

Excerpts from the World Politics Watch article are below. But, read the entire PDF of the actual study.
 

Marvin Kalb, of Harvard's Shorenstein Center on the Press, Politics and Public Policy, methodically traces the transformation of the media "from objective observer to fiery advocate." Kalb painstakingly details how Hezbollah exercised absolute control over how journalists portrayed its side of the conflict, while Israel became "victimized by its own openness."…

Journalists did Hezbollah's work, offering little resistance to the Islamic militia's effort to portray itself as an idealistic and heroic army of the people, facing an aggressive and ruthless enemy. With Hezbollah's unchallenged control of journalists' access within its territory, it managed to almost completely eliminate from the narrative crucial facts, such as the fact that it deliberately fired its weapons from deep within civilian population centers, counting on Israeli forces to have no choice but defend themselves by targeting rocket launchers where they stood. Hezbollah's strong support from Syria and Iran including the provision of deadly weapons faded in the coverage, as the conflict increasingly became portrayed as pitting one powerful army against a band of heroic defenders of a civilian population….

By contrast, armed Hezbollah fighters were all but invisible to the media. Also invisible were Hezbollah's thousands of rockets and rocket launchers strategically positioned near schools, hospitals and apartment buildings.

Within Hezbollah territory, journalists were led through scenes of the destruction caused by Israel. Journalists rarely complained about Hezbollah's restrictions, but they frequently complained about Israel's efforts to limit coverage deemed useful to the enemy. Still, circumventing Israeli restrictions proved easy in a country like Israel, while in Hezbollah-controlled areas it proved all but impossible. Cameras enjoyed full access to civilian victims of Israel's actions, but never to the perpetrators of violence against Israel….

Before long, Hezbollah had achieved a definitive propaganda victory. The media had not only acquiesced to tell Hezbollah's version of the war, they had started contributing to the creation of the narrative, with at least one Reuters photographer altering photographs to make Israeli attacks look more damaging. And many reporters simply failed to offer much context….

The Harvard paper shows the need for journalists to brace themselves and remain vigilant when they cover conflicts between open societies on one side, and media-controlling militias on the other. These conflicts, which we will undoubtedly continue to see, demand that journalists make a greater effort to provide context and to keep from become willing collaborators with one side. Islamic militant groups, such as al-Qaida and others, have openly described their strategy of manipulating the media and winning on the "information battlefield." Hezbollah, too, had a well crafted, and ultimately successful media plan.

The challenge to keep from being used will be greatest for journalists in the field, but editors back in the newsroom also must look closely at what their organizations produce. They must be aware that their reporters on the ground are the target of media campaigns by those they cover, and that reporters can become emotionally allied with one side, as we saw last summer in Lebanon.

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Jews in the News                    -------------------------------------------------------------
 News spotters: Dan Brin in Los Angeles, Donald H. Harrison in San Diego. To see a
source story click on the link within the respective paragraph.  If you spot a Jewish-interest
story in your favorite publication, please send us the link.
_______________________________________________________________________


*
Dr. Robert Getzenberg of the James Buchanan Brady Urological
Institute at Johns Hopkins University has announced that a new blood
test has proven successful in detecting prostate cancer. Susan Brink has the story in today's Los Angeles Times.

* Los Angeles City Councilwoman Wendy Greuel, who chairs the council's transportation committee, called for creating a peak commuting hours bus lane on Wilshire Boulevard in a bid to ease traffic congestion. The story by Jean Guccione is in today's Los Angeles Times.

*
Paul Jacobs, Qualcomm's chief executive officer, says a 22 percent increase in the company's profits, came "despite the attempts by a small number of competitors to disrupt our business."  The story by Kathryn Balint appears in today's San Diego Union-Tribune.

*
Larry King, on his CNN interview show, elicited from U.S. Sen. John McCain (R-Ariz.) a declaration that Attorney General Alberto Gonzales should resign "out of loyalty to the president."  Adam Nagourney and Michael Cooper of the New York Times News Service have the story in today's San Diego Union-Tribune.

*Michael Milken teased California Gov. Arnold Schwarzenegger about
his gas-guzzling Hummer at a conference on cutting down greenhouse gasses. Schwarzenegger, saying he planned to retrofit the vehicle, announced his intention to sue the Environmental Protection Agency to allow the state to go forward with tougher emission laws.  Janet Wilson has the story in today's Los Angeles Times.

*Israel's Prime Minister Ehud Olmert has been accused of improper conduct in his previous capacity as trade minister by allegedly aiding an associate in procuring investment opportunities. Isabel Kershner of the New York Times News Service has the story in today's San Diego Union-Tribune.

*Contrasting theories in Phil Spector's trial for the murder of Lana Clarkson were offered by prosecutor Alan Jackson and defense attorney Bruce Cutler.  The former said Spector had a history of violence toward women; the latter said police "had murder on their mind" even before they gathered the facts in the case.  Matt Kasnowski of the Copley News Service has the story in today's San Diego Union-Tribune.


*
U.S. Rep. Henry Waxman (D-Calif.) chairman of the House Oversight and Government Reform Committee, presided over a 21-10 party-line vote in his committee to subpoena Secretary of State Condoleeza Rice to reveal information about what the administration knew about Iraq's alleged nuclear capabilities prior to the onset of the war.  The story by Dan Eggen and Paul Kane of the Washington Post is in today's San Diego Union-Tribune.

*The European Parliament called for the resignation of World Bank President Paul Wolfowitz in the controversy over the job he helped girlfriend Shaha Riza obtain. The Associated Press story is in today's San Diego Union-Tribune
/
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.Advertisement:.J


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The Jewish Grapevine
                                                 

COUNTERACTING CARTER—The Simon Wiesenthal Center has
issueda paper critiquing what it describes as distortions and outright
factual errors in former President Jimmy Carter's book, Palestine:Peace
Not Apartheid. 
Here is a link.


IN MEMORY—Burton Mazer, a member of Ner Tamid Synagogue and of the Escondido Republican Club, died April 24 at age 76.  His funeral notice appears in today's San Diego Union-Tribune.

 

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Arts in Review

 by Carol Davis
                     ___________________

Songs of Leiber and Stoller delight
in Welk Theatre's Smokey Joe's Cafe


It’s got to be b’shert when
two Jewish guys, one, Leiber, the son of Jewish immigrants from Poland who grew up on the ‘edge of Baltimore’s black ghetto’ and the other, Stoller, raised in Queens, learning the ‘basics of blues and boogie woogie from black kids at summer camp’ (Rock and Roll Hall of Fame Museum) meet in Los Angeles in 1950. Their mutual love of boogie-woogie and rhythm and blues forms an immediate bond and they began writing. Both were 17 at the time. Leiber was the lyricist, Stoller wrote the music (he took piano lessons from Fats Waller’s mentor).

In 1953 they formed their own label, Spark, which later became the Coasters. That same year, they released Riot in Cell Block #9. Not only was it b’shert that they met, it was brilliant that they had the smarts to form their own label because Atlantic Records later signed them to the industry's first independent production deal. Not too bad for a couple of kids just getting their musical footings off the ground. Ultimately, they became one of the most influential songwriting teams in rock and roll history. (Smokey Joe’s Café official site)  

For those of you who think you might never have heard of Jerry Leiber and Mike Stoller, you might recognize some of their music: How about Hound Dog? Oh, you thought Elvis write that one? Nope. And Stand By Me?, or There Goes My Baby?, or Jailhouse Rock, Fools Fall in Love, Yackety YakKansas City, On Broadway, Charlie Brown, Love Potion #9,  Spanish Harlem, (Leiber and Phil Spector) Dance with Me and I could go on and on. But, I’ll make it easy for you. Why not head up to the Welk Village Resort Theatre in Escondido and see and hear for yourself their time remembered works?

A composite of many of their popular and not so popular numbers, 39 in all, are showcased in  Smokey Joe’s Café. It  is  a musical tribute to Leiber and Stoller, and  has been on the musical theatre circuit now for years. The Welk Theatre is mounting it through May 20th. It’s  an enjoyable celebration of their works, and a pretty lively one at that.  The setup is simple. There are nine cast members, four guys and five gals all with strong voices and very distinct personalities. They are gathered around a stairwell connected to the face of a tenement building, circa 1950. (Nick Fouch)

The band is on stage up on a platform so you can see and hear them at the same time. The cast is casually dressed in 50’s outfits (Carlotta Malone) and they begin the show with Neighborhood, a little ditty  down memory lane for a look back at the neighborhood and some familiar pictures of families and friends of their past. From there the show takes off with each cast member pairing up with other cast members to go through the selection of songs, related or unrelated , but certainly some that you can remember from your own growing
up in the 50’ and 60’s days, or am I being presumptuous? Not to belabor a point, however, whether you are a product of the 50’s, 60’s, or 70’s you will recognize more of these songs than you think. Those were the days, my friends,  when you could understand all the words and most of them had a special meaning: Love lost; love regained; love learned; foolish love, silly in love, etc.

The revue is an entertaining diversion and the Welk  Theater pays it a lovely compliment with the talented cast comprised of Sandra Allen, Meloney Collins, Lawrence Cummings, Eugene Barry Hill, Ron Kellum, Kelly Provart, Mark Provart, Dominic Rambaran and Melissa Youngblood. They sing blues, rock ‘n roll, jazz, rhythm and blues, pop and cabaret. in other words, they do it all.  Under the direction of Sha Newman (he also choreographed) and musical director, Justin Gray the show hummed along gathering momentum in the second act, when the stage is converted to Smokey Joe’s Café. Yes, they had us clapping and even swaying to the music.

I would be remiss if I did not mention the excellent musicians: Justin Gray on keyboards, Ted Hughart on Bass, Mike Masessa on drums, Dennis Calplinger on guitar and Richard Mcguane on tenor sax. Carlotta Malone’s wide range of costumes gave almost every number a different look. And Jennifer Edwards-Northover’s lighting gave it all the atmosphere it needed.

In a program footnote it states that their songs provide the basis for an electrifying entertainment that illuminates a  golden age of American Culture. I’ll buy that.

For more information on the dinner package or just the show call (760)749-3448 or visit them on line at www.welktheatre.com

See you at the theatre.

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San Diego Rep tells schedule of
SD Lipinsky Jewish Arts Festival


SAN DIEGO, CA (Publicity Release) -  San Diego REPertory Theatre closes its 2006-2007 Season with the 14th Annual Lipinsky Family San Diego Jewish Arts Festival under Artistic Director Todd Salovey.  The Festival celebrates the diversity of the Jewish diaspora through music, dance, theatre, fine arts and food from around the world, world premieres of new plays and the critically-acclaimed Klezmer Summit. The events schedule follows (subject to change):

 

Sunday, May 20, 7:30pm—The Nochi Krohn Band, sponsored by SCY High/Southern California Yeshiva High School. Soulfully sweet harmonies and superb musicianship distinguish this top young band from New York making its West Coast debut.  The Nochi Krohn band fuses rock, jazz, and country with traditional Jewish favorites and stunning new songs from their debut CD Ananim – (Clouds.)  A fun and uplifting concert supporting San Diego’s newest Jewish school: SCY High. Lyceum Stage, San Diego REPertory Theatre, 79 Horton Plaza. $25 Individual; $22 Seniors and groups

 

Wednesday, May 30, 7:30pm—Michael Medved – Mixing Religion And Politics; Does The Combination Threaten - Or Enrich - American Democracy? Sponsored by Chabad of La Costa. Michael Medved, host of one of the top-rated radio shows in the country, will be speaking on an important topic in these turbulent times. This evening promises to be both informative and entertaining! There will be plenty of time for Q & A with the audience, which is always fun, as Michael Medved is known for his outstanding ability to “think on his feet.” A controversial topic? One of today’s most charismatic and compelling speakers will share his answers. Lyceum Stage, 79 Horton Plaza. $36 Orchestra and Balcony Center; $25 Balcony Sides; $90 Patron seats include a signed book and pre-show reception.

 

Wednesday, May 30, 7:30pm—We are…! – Featuring J* Company’s -  Yours, Anne. Sponsored by Agency for Jewish Education of San Diego and J*Company of the San Diego Center for Jewish CultureSan Diego’s most talented Jewish performers come together for a stellar evening of dance and theatre.  The show features musical selections from Yours, Anne, by the J*Company under the direction of Joey Landwehr, a moving depiction in song of the story of Anne Frank; The program also features a world premiere theatre piece about the ideas and aspirations of today’s Jewish Teens called, We Are... directed by Steve Lipinsky, written by and starring actors from the High School of Jewish Studies.Lyceum Space, San Diego REPertory Theatre,79 Horton Plaza. $12 Individual; $10 Students, seniors and groups.

 

Monday, June 11 and Tuesday, June 12,7:30pm—Comedy and Laughter from Neil Simon: June 11- Broadway Bound   &   June 12- The Sunshine Boys. No playwright has so captured Jewish humor like Neil Simon. In two of his funniest and most meaningful works, we celebrate Neil’s fun with some of the West Coast’s most acclaimed stage actors.  In Broadway Bound, brothers Eugene and Stanley seek fame and fortune in comedy writing as their home and family begins to unravel.  In The Sunshine Boys, two aged vaudevillians try to recapture their comic magic in roles made famous by Walter Matthau and George Burns.  Full of humanity, stirring scenes, and Neil Simon's immortal wit.North Coast Repertory Theatre, 985 Lomas Santa Fe Drive, Solana Beach. For North Coast Repertory Theatre Tickets Only,888-776-NCRT; www.northcoastrep.org $18 Individual; $13 Students, seniors and groups.

 

Monday, June 18, 7:30pm—The 6th Annual Klezmer Summit: Klezmer and Knishes, featuring Yale Strom with Hot Pstromi and Alexander Gourevitch with Freilachs Klezmer and Free N.Y. Style Kosher Knishes for ALL! The festival's most popular yearly program returns with a full evening of Klezmer pure and simple, and something to nosh!  Yale Strom, and his great band Hot Pstromi return to San Diego with a new program “Romania, Romania!” Yale knows how to whip up a crowd. Join us to explore Klezmer with a gypsy touch with singing by chanteuse Elizabeth Schwarz and a band that travels the back roads of Eastern European magic.  And if that's not enough, clarinet player Alexander Gourevitch with his violinist daughter Natasha and their band Freilachs bring three generations of Klezmer soul to an evening filled to the brim with the musical and culinary soul food.  A special feature of this program will be a short introduction to the Dead Sea Scroll exhibition with amazing images. Lyceum Stage, San Diego REPertory Theatre, 79 Horton Plaza. $18 Individual; $15 Groups.

 

Monday, June 25, 7:30pm—Flowers Aren’t Enough. Sponsored by Project SARAH, A Program of Jewish Family Service of San Diego.The San Diego premiere performance of Israeli actress Naomi Ackerman, whose theatrical works have been performed around the world.  Drawn from real stories of the lives of women in Israel, Flowers Aren't Enough  tells a universal tale of a woman who emerges from the secrets, lies and fears of domestic violence.  This deeply moving program is sponsored Jewish Family Service of San Diego Project SARAH (Stop Abusive Relationships At Home), which provides a safe and confidential setting for individuals who are experiencing abuse to explore resources and options and assists them in making critical life decisions (Learn more at www.jfssd.org). The festival is proud to support this worthy program which will be followed by a discussion with the actress/writer. Lyceum Space, San Diego REPertory Theatre,79 Horton Plaza. $18 Individual; $15 Groups.

The foregoing material was provided by San Diego Rep

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Israel Contemporary String Quartet
Scheduled by Jewish Music Festival

 

SAN DIEGO (Publicity release) – The 8th Annual San Diego Jewish Music Festival, sponsored by the Private Bank of Bank of America and presented by the San Diego Center for Jewish Culture continues with the Israel Contemporary String Quartet on May 21 at 7:30 p.m.  The ICSQ, consisting of four young women, Hadas Fabrikant, violin; Tali Goldberg, violin; Amelia Hollander, viola; and Hilla Epstein, cello, is one of Israel’s most talented and influential ensembles.  The evening is presented in alliance with the America-Israel Cultural Foundation.

The Israel Contemporary String Quartet has performed in scores of concerts and festivals in Israel, Europe, Asia and the U.S., and has collaborated with choreographers, dancers, video artists, theater directors, composers and performers.  In many cases, the ICSQ performs beyond its “instrumental” capacity to become part of the choreography or theatrical staging, creating unclassifiable thrilling and innovative performances.

 

The ICSQ has received grants and awards for its artistic activity, including the 2004 Grand Prix at the Eighth International Contemporary Chamber Music Competition, held in Krakow, Poland, the 2003 Israel’s Minister of Culture and Education’s Award for outstanding performance in Israel, and the Alfred Ensor Award.

 

The Quartet’s repertoire is highly diverse, consisting of works by 20th-century masters (Shostakovich, Bartok), contemporary composers from around the world (Tan Dun, Reich), classical masters (Mozart, Beethoven, Schubert), and artists from farther afield (rock bands, world music and jazz).  Many prominent Israeli composers dedicate their music to the Quartet, and the ICSQ has premiered numerous works of Israel’s leading composers.

 

Since ICSQ’s Tel Aviv Museum of Arts debut at the 2002 Biennial for contemporary music the Quartet continues to perform regularly in major concert venues and festivals worldwide, including performances in the Singapore Arts Festival, the Stuttgart Opera House in Germany, the Krakow Philharmonic Hall in Poland, the Day of Memory in Italy, and the Israel Festival in Jerusalem.  The ICSQ has been featured on several of the nation’s most prominent radio broadcasts.

 

The ICSQ’s major premiere performance in 2002 is an example of the extraordinary breadth that has characterized the Quartet from its inception to this day.  Its four members came together to perform George Crumb’s Black Angels, Steve Reich’s Different Trains, Baniel’s Bird Quartet, and Schubert’s Death and the Maiden.  The genre-bending multi-media performance at the Tel Aviv Museum of Art entitled Black Angels, incorporated bowed water glasses, spoken word passages, electronic effects, video installations, lighting and costume design.

 

The ICSQ is also an active supporter of peace efforts in the Middle East.  It initiated a special Project – POSSIBLE – in collaboration with Arab and Palestinian musicians and composers.  The Quartet commissions works and arrangements for string quartet as well as for string quartet and Arab instruments and has performed along with these musicians in concert halls, theaters and festivals in Israel and Europe.
 

The San Diego Jewish Music Festival takes place at the Lawrence Family Jewish Community Center, JACOBS FAMILY CAMPUS, 4126 Executive Drive, La Jolla.  Tickets for the Israel Contemporary String Quartet are $15 for members and $19 for non-members, with a $1 discount for seniors and students.  For information or tickets call the JCC Box Office at 858-362-1348, or visit the web site at www.lfjcc.org

 

The foregoing was provided by the San Diego Jewish Music Festival 

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Rhythms of Senegal, Jamaica to add spice to Dor Hadash gala

SAN DIEGO (Publicity Release) —On Saturday, June 9, at
6:30 pm, Congregation Dor Hadash will hold its Annual Gala
Fundraiser at 4858 Ronson Court in San Diego. This year the
synagogue will celebrate with Roots Reggae Music & and an
African Happening presented by San Diego’s Jamaica Touch
 Production Company. 

Entertainment will include from Senegal, "Sene-Africa" who will
sing & perform on their traditional African “Cora” instrument.
In addition “The World Beat African Drummers and Dancers”
will perform including an Opening Ceremony Drum Call. Reggae
Music, direct from Jamaica will be played by D. J.Ras Winston on his Sound System, with the largest “old school” Reggae collection in town.

A portion of the proceeds from our Annual Benefit will be donated
to “Save the Children of Darfur”.

Our Benefit Gala’s theme this year of Jamaican Food and Reggae
Music plus Traditional African Music and Dance has been chosen to
show the connectedness and harmony in the common ground of
cultures all over our planet and the spirit of inclusiveness at the Congregation Dor Hadash Synagogue.  Dor Hadash encompasses a
varied group of people from all walks and ages of life. Many of our congregation is interfaith. Dor Hadash welcomes individuals from all backgrounds who are interested in knowing about Judaism. 

Darfur is a region in Sudan that is currently experiencing a Genocide. Genocide is defined as: The systematic killing of all the people from a national, ethnic, or religious group, or an attempt to do this.
Systematic genocide is an issue that cuts to the core of the Jewish
people worldwide as a result of our own recent Holocaust. Our
government and the international community must respond to the
dire needs of the innocent and helpless people caught in the middle
of this conflagration.

Ticket prices are $118 for a dinner of Jamaican Food from
Island Spice Restaurant plus the Jamaican Reggae Music,
Traditional African Music and Dance entertainment. All tickets are
sold in advance. The event begins at 6:30 p.m. with a Silent Auction, Jamaican Patty Appetizers and Red Stripe Beer! Yeah Maaan!
Entertainment and Dance begins at 7:00 P.M. Bring your dancing
shoes!

For more information please contact Andrea Wagman-Christian,
Co-chair: (619) 972-0810 Andrea4SD@aol.com or Mark Newman
at the Congregation Dor Hadash Offices: administrator@dorhadash.org.

The foregoing article was provided by Congregation Dor Hadash.

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